Intercessional review
On the suggestion of my tutors I have been watching
certain films or series including Apocalypse now, 28 days later, the road and
channel 4s Utopia. For further inspiration
Some consistent themes that appear includes:
Darkness and fog: this is an essential motif, in both “Apocalypse
Now” and in Goya’s work it serves to create a nightmarish hallucinatory
environment and symbolically emphasizes a divorcement and dissociation from
civilization and rationality. The profuse darkness and fog in this media
enforce the visual aspects and create an ever worsening cycle of fear madness
and confusion.
Human decadence: Apocalypse now is a good example for
this being a pessimistic and highly critical commentary of the superficial and
morally-void cultural identity of the American soldiers. In the opening scenes
we are introduced to the American army pointlessly blowing everything to high
hell and then treated to surfing during an ongoing air raid. It was looking at
these immoral and confused actions that ended with Kurtz going insane through a
despair event horizon! 28 days later serves as an allegorical one as the
scientist suggests that “Rage” is what infected humanity and brought it to the
edge of extinction. Several other features of this zombie-apocalypse seem to
exemplify this as the colonel is the most abject amoral man seen in the movie
and an ape is seen strapped down and watching various tv screens depicting
violence and carnage.
Natural climate change: while never explicitly stated it
is implied that the Road is the effects of a nuclear winter that is slowly
killing off everything. The skies are covered in dense cloud and the world is
getting colder and bleaker every moment. The landscape is dark foreboding and
grim to say the least and the urban vestiges are abandoned and crumbling in disuse
while the environment seems to be composed of dust. Nowadays global warming is
a major issue and the idea of the Earth suddenly becoming poisonous to us is of
thematic relevance in media everywhere.
Remaining vestiges: in various apocalyptic films the most
poignant effect is how they portray surviving vestiges of humanity and can
instil a sense of presence juxtaposed with emptiness of the lost civilization.
In Utopia one of the Network agents and antagonists muses over the ideal world
as sterile and empty “I see a planet turned into a desert with thousands
starving dying.”
There are many of these aspects
that can be visually appealing for my work and I would like to explore all
kinds of contexts and directions for this
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